Jessica Cooper, The Intimate Landscape

PRESS RELEASE

The Intimate Landscape Belgrave St Ives 8 – 29 October 2018

This October, Belgrave St Ives presents The Intimate Landscape, an exhibition of new paintings by artist Jessica Cooper RWA. This collection of works is inspired by two separate yet distinctly parallel landscapes – St Ives in the artist’s home county of Cornwall, and the village of Messanges in South West France – both of which have special meaning to the artist. Similar in their coastal beauty, with wide white sands, simple architecture and laid back coastal culture, the essence of these two villages are defined on canvas in Cooper’s distinctly reductive style. Created almost as a sketchbook collection of works, comprising large scale landscape paintings and a series of smaller works, they mark Cooper’s return to painting the landscape after two years of work in digital and mixed media projects in the UK and United States.

In addition, the artist has created a three-minute film of moving images which contextualises the collection. Entitled I Never Want To Lose Another Day, the film gives personal insight into Cooper’s relationship with St Ives and Messanges, and captures the peace and beauty of these unique Atlantic locations. The film will be on show in the gallery throughout the exhibition.

See The Intimate Landscape, from 8 to 29 October 2018 at Belgrave St Ives
22 Fore St, St Ives, Cornwall TR26 1HE.

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Jessica_Cooper_Where_It_All-started_Again

Jessica Cooper | Where It All started Again

Print ready 300pdi images for press use are available, please request. 

 

Editors Notes

 

Jessica Cooper RWA

Jessica Cooper has lived and worked in Cornwall’s West Penwith for most of her life. She studied at Falmouth College of Art, and at Goldsmith’s, University of London, and is a member of the Newlyn Society of Artists, Penwith Society of Artists, and is an elected RWA. She exhibits regionally, nationally and internationally on a regular basis, including exhibitions at The Exchange and Newlyn Art Gallery, the RWA and Tate St. Ives.

www.jessicacooper.co.uk

 

Belgrave St Ives

Belgrave St Ives specialises in Modern British and Contemporary Art. There is an emphasis on work by artists associated with Cornwall from the 1930s to the present time. The gallery is the only private art gallery in Cornwall showing regular exhibitions of work by major artists associated with the St Ives Modern Period as well as exhibitions of works by other select Modern British and Contemporary Artists. The gallery works with a number of artists, artists’ estates, collectors and other galleries, to produce an annual programme of changing monthly one-person and themed exhibitions usually accompanied by published material.

www.belgravestives.co.uk

 

For further press information or additional images contact Mercedes at Fine Art Communications director@fineartcommunications.co.uk / Tel 07825 270235 /

www.fineartcommunications.co.uk

PADRAIG MAC MIADHACHAIN A Life of Painting  (1929 – 2017)

PRESS RELEASE

New One-Person Exhibition:
11 June – 2 July 2018, Belgrave St Ives
Private View: 9 June 6 – 8pm

Based in Swanage, Dorset from the early 1950s and working from studios in various parts of the world, Pádraig Mac Miadhacháin established a full time career painting for a living and living to paint.

Looking at places through the lens of colour is core to Pádraig Mac Miadhacháin’s work, and so we can understand why he over-wintered in places like the Balearic Islands (1950s), the Canary Islands (1960s and 1970s) and St Ives (1990s onwards), and how this fits with his earliest memories of his sea-side holidays on the east coast of Ireland. However, he always returned home to his adopted Swanage, where he continued to paint, swim, walk and ‘mooch along the beach’ (his words). This retrospective exhibition is the first attempt to view Mac Miadhacháin’s oeuvre in a chronological order. It is interesting to see not only the evolution of a personal visual language but also the artist’s ability to move from abstract to figurative and back again, from tonal painting to high chroma, minimalist to narrative, dependent on the subject, and artistic intent. The experiences of travel and the discovery of alternative cultures fed directly into his work and several paintings in this exhibition illustrate these various cultural references.

MacMiadhachain_FishingPort_c1980_HiResFishing Port c1986 Oil on canvas; 50.5 x 61 cms

Pádraig Mac Miadhacháin was born in 1929 in Downpatrick, County Down, and trained at Belfast College of Art and the National College of Art in Dublin where he focused on portraiture before beginning his exhibiting career in 1951. Studying at Belfast and Dublin was a good solid training in technique and one that was to prove of huge underlying significance when his interest in much more contemporary art began to grow in the early 60s, following the winning of a Polish Government Scholarship to Krakow in 1960 and the resulting friendship with the landscape painter Piotr Potworowski, an artist with close links to the St Ives School. Further influence is suggested by Nicholas Usherwood in the catalogue essay to the new exhibition, where he points to “…an experimental shift of direction almost certainly confirmed by the shows he had alongside such distinguished Irish contemporary painters as Louis LeBrocquy, Camille Souter and Gerard Dillon in the Irish Exhibitions of Living Art at around the same time”.

Later in his career, the artists of the St Ives School were important influences; most notably, fellow Northern Irishman William Scott, Roger Hilton, Alfred Wallis and Ben Nicholson. Mac Miadhacháin was able to develop his own personal style without, at the same time, getting swamped by the tendency to abstraction at large.

MacMiadhachain_TheHarbour_2002_HiResThe Harbour 2002 Oil on linen; 61 x 61 cm

MacMiadhachain_TheGatesOfLove_Asila_Morocco_c1992_Belgrave_St_IvesThe Gates Of Love Asila Morocco c1992 by Pádraig Mac Miadhacháin. Showing at Belgrave St Ives, 11th June to 2nd July 2018.

Mac Miadhacháin travelled widely throughout North and South America, Europe, North Africa, the Middle East, Central Asia and the Republic of Ireland. A long exhibiting career included 17 solo shows in London and exhibitions in Madrid, Dublin, Belfast, Las Palmas, Krakow, Los Angeles, Seattle and Vancouver. He held a retrospective exhibition at the Molesworth Gallery, Dublin, in 1999, and in 2000 was one of three artists included in Fedden’s Choice at Lena Boyle Fine Art – an exhibition of the work of Mary Fedden’s favourite artists. The National Self Portrait Collection of Ireland and the Arts Council of Ireland hold examples of his work, which can also be found in private collections all around the world.

A fully illustrated catalogue with an essay by Nicholas Usherwood is available.
Twitter, Instagram, Facebook @belgravestives #alifeofpainting

MacMiadhachain_TheyLeftTheirShadows_2008_HiRes
They Left Their Shadows 2008 Oil on board; 20 x 25 cm

Macmiadhachain_Portrait_Samantha_Cook_Grain_PrintPortrait of Pádraig Mac Miadhacháin by Samantha Cook

For further information and images, please contact Richard Blackborow:

Belgrave St Ives, 22 Fore Street, St Ives, Cornwall TR26 1HE

richard@belgravestives.co.uk

tel. 01736 794888

10 / TEN: Abstract Figurative – Installation

5 – 26 March 2018

Our exhibition of 10 Abstract and Ten Figurative paintings, mainly by artists not usually associated with St Ives, is now OPEN. Works in the show are drawn primarily from the gallery collection.

Artists include: Muriel Archer, John Bratby, Joyce Cairns, Maurice Cockrill, Richard Cook, Fred Crayk, Emanuel Phillips Fox (attributed to), John Hopwood, Francis Hoyland, Henry Inlander, John Kingerlee, Antoni Malinowski, Nicholas May, Derek Middleton, Alastair Morton (attributed to), Jerzy Panek, Jonas Plosky, Fred Pollock, Gary Wragg and Phil Whiting.

Please click on images above to view a slideshow of the installation, or view individual works in the exhibition on the gallery website using this link:

VIEW WEBSITE

REVERBERATIONS – Modern Art in St Ives: 9 – 26 Feb 2018

9 – 26 February 2018

The current exhibition at Tate St Ives, ‘Modern Art and St Ives’, features most of the major names of post-War St Ives Art and places their work in the context of European and US Modernism of the period.

Our new exhibition presents 16 works by artists included in the Tate exhibition and brings them together both in the gallery and in a PDF-only catalogue displaying the works in a gallery context.

Includes works by: Kenneth Armitage, W.Barns-Graham, Trevor Bell, Sandra Blow, Alan Davie, Paul Feiler, Terry Frost, Patrick Hayman, Barbara Hepworth, Patrick Heron, Roger Hilton, Ben Nicholson, Kate Nicholson, Victor Pasmore and John Wells.

VIEW WEBSITE | VIEW CATALOGUE

TWO POETIC PAINTERS: Tom Early & Patrick Hayman – Installation Shots

Please enjoy these informal installation shots of our current exhibition: TWO POETIC PAINTERS – Tom Early & Patrick Hayman featuring works by two artists working in St Ives during the early 1950s. Whilst sharing a similar poetic vision in their painting, born within a year of each other the two artists came from very different backgrounds, pursued distinctly personal approaches, and, as far as we know, their paths rarely crossed in St Ives. And yet there is a something that unifies their work, and this exhibition explores these correspondences.

VIEW TOM EARLY WORKS

VIEW PATRICK HAYMAN WORKS

A little more about Sven, Belgrave and Tate

A re-visit to the Sven part of the ‘Dark Monarch’ exhibition in 2009 (Magic and Modernity in British Art at Tate St Ives)

Belgrave St Ives

Sven Berlin's Owl In Flight 1988 has been produced as a postcard by Tate St Ives

When we heard of plans to re-issue Sven’s book ‘The Dark Monarch‘, we were happy to be able to include the launch of the book with the exhibition of works by Sven that we had been planning for some time. When we then heard some time later that Tate St Ives were planning to use the title of the book as the title for their Autumn exhibition, it made sense for us to time our show to coincide with theirs, and it has been good to have a chance to work more closely with their curatorial team here in St Ives.

Those of you who have seen the Tate St Ives exhibition will know that it includes several works by Sven, many of which are on loan from Belgrave Gallery. The beautiful, striking owl, which we have been showing in our window overlooking Fore Street in Gallery Two…

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SVEN BERLIN ‘Polymath’ – Installation

SVEN BERLIN ‘Polymath’ opened on Sat 7 Oct 2017 with a lively Private View, and has been very busy – St Ives thronging with visitors celebrating the full opening of the new Tate St Ives. The show here is being very well received, and it is great to have such a good number of Sven’s sculptures on display. There are also early drawings, voluptuous still lifes, glowing self portraits and Svenographic prints. We also have a display of books written by the artist. You can view the complete show on the gallery website by following this link.